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Quite the World, Isn't It?

On Detroit: A Biography, a year later

It was just about a year ago that copies of Detroit: A Biography began showing up in bookstores, always an exciting time for a writer, but fraught with uncertainty. Will people like the book? Will it get the attention of critics? Will it sell? And, perhaps most unsettling of all, did I screw something up?

I’m very pleased, and gratified, to be able to say that the book has done well. It’s in its third printing, reader reviews have been overwhelmingly positive, and I continue to get feedback from folks who say they learned a lot of unexpected things about Detroit, and how it has come to be what it is. The professional critical reviews were light, but except for one culture critic who dismissed the book for not being about culture (?), they have been overwhelmingly positive. And they keep trickling in. This essay-review ran recently in TriQuarterly.

It turns out my book was at the head of a surge of mass media interest in Detroit, from other books about the state of the city to the national media coverage of the installation of an emergency financial manager (you all know what I think of that) to some movies that have touched on the city (from “Detropia” to ”Searching for Sugarman”). I like to think that, among all these projects, my book offers the broadest foundation for understanding the place.

And from the assembly line of book writing, I’m pleased to report solid progress on Jones’s Bones: The Search for an American Hero, which is due to the publisher at the end of next month, with a tentative publication date of next Spring. In a touch of inadvertent timing that will coincide (roughly) with the centennial of the Ludlow Massacre, the central event in my first book, Blood Passion: The Ludlow Massacre and Class War in the American West, which came out in August 2007.

The publication of Jones’s Bones will be my fourth book to hit the bookstands in seven years. And I have a couple of unpublished novels I’ve written in between those nonfiction projects. It’s a very gratifying way to live, and work, and I thank you all for your readership and support. It’s an overworked and often ill-used word, but, literally, I couldn’t do this without you.
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